In 1984 one of the most famous films of all time was released: “A Nightmare on Elm Street”Directed by the well-known Wes Craven and produced by Robert Shaye. With a short budget of $ 1.8 million at the time, it became a hit with $ 57 million at the worldwide box office.
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The film continued the legacy he left behind “Halloween” from John Carpenter on 1978 in the sub-genre of horror known as slasher. “A Nightmare on Elm Street”Tells the story of a group of teenagers who live in the fictional city of Springwood, Ohio, who are invaded in their dreams and killed in them, while their deaths are reproduced in real life.
The film received a series of negative reviews for not distinguishing well what was real and what were the visions of the world of dreams, the same argument that some critics use to praise the film of Craven for playing that way with his audience’s perception and creating a huge horror franchise alongside his main antagonistic character: Freddy Krueger.
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However, very few know that the end of this cult horror film went through different revisions and to this day its director has some regrets for what happened on the big screen unlike what he thought. What was its end like or what exactly happened? Here we will tell you the answer.
WHY IS WES CRAVEN REGRETING THE END OF “A NIGHTMARE ON ELM STREET”?
One of the best things about “A Nightmare on Elm StreetWhat makes it unique, differentiating itself from other horror films, is how it makes the audience not sure if what they are seeing is a dream or a reality. This tension plays out like this throughout the film, but is especially present during its conclusion.
The film concludes with Nancy understanding that the powers of Freddy they are ingrained if people believe in it and are afraid. She stops believing and seems to wake up simultaneously, free from the horrors of Freddy. Nancy he prepares to go to school with his friends, who had passed away before, only to have his car speed up, as if he had a mind of his own.
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Some creepy kids sing the famous rhyme of Freddy and finally the mother of Nancy is sucked out the window of the front door of the house, which shows that Freddy he’s really still alive and he’s still haunting Nancy for a long time, or at least here it is already hinted that the young woman will die soon.
This is a powerful conclusion, but Craven I wanted to make it much more subtle. Nancy and her friends would have escaped safely and the audience would have wondered if she had really escaped this threat or if it was just a big nightmare to begin with. Bob Shaye, the founder of New Line Cinema and the producer of the film, he was not happy with this main ending and insisted that there should be some kind of twist.
Suggestion of Shaye it was that I wanted Freddy whoever drove the car at the end and presumably leading to Nancy and his friends to deeper horrors. Craven hated the idea that Freddy will show up in the driver’s seat, so he and Shaye They came and went in a handful of different twists so that they both got some of what they wanted.
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The theatrical version is the agreement they reached Craven and Shaye, one that still retains much of the vision of Craven without taking things too far into the absurd. In a story told from the movie, Craven stated that he still prefers the philosophical symbolism of his original ending and, although the finished version is not perfect in his opinion, it is still considerably better than the initial suggestion of Shaye.
It’s an ending that still packs a punch and manipulates audience expectations, which would become a staple of endings in “A Nightmare on Elm Street”Which continued over the next few years. Would the end of Shaye or that of Craven? Would the film have achieved even greater fame? Unfortunately, we will never know.
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