Paul Schrader is one of the most polarized, respected and controversial personalities in the history of cinema. With strong dramas What Blue necklacesAnd the american gigolo, And its distinctive villa, which it nominated for the Oscar of the year 2017, The first solutionThe writer and director is known for some uncompromising original work from the last 50 years. He is also known for posting on Facebook sobre Taylor SwiftWho loves, or ‘Abolition of culture’ Sneaky poker games that you don’t like.
But earlier this month, Schrader decided to post something else about the brand, Share on Facebook His thoughts on the current state of the movies, and with Los Angeles’ much-loved ArcLight Theater closes Due to the pandemic and the consumption of cinematographic art 14 months after the broadcast:
A note on the economics of cinema. The smart move after Nickelodeon was to monetize movies – squeezing large numbers of customers into large, unconditioned theaters with (for some time) choppy vaudeville acts that worked like magic for decades. Then came television. Without However, the films survived. It became on a larger scale., More careers on the subject, Pixels of exploitation, Photos of women, Pixels of prestige, Pixels of horror, Pixels of genre, Realistic pixels. Larger in scale, More races On the topic, News, Serious Dramas, Artistic Films, European Films and Adapted Cinemas. But. Now comes the phrase in third place: BOOM! The ongoing spin-off drama based on the crime series (real or not), Tila Novellas, the documentary saga and expanded autobiography, strips history of its ability to compose concise stories and the like.
This post caught the eye The New YorkerRichard Brody, who summoned Schrader An interview about the future of cinema. In addition to getting Schrader’s take on what he calls “the movie economy” and the state of going to the movies, Brody has revealed a delightful slew of news that is sure to make everyone anxious in the end. When the reporter asked if Schrader was considering working with Netflix, the director revealed that he is working on a three-season series, Get This, “Origins of Christianity.” He says, “Scorsese and I are planning something, which is … It’s going to be a three-year series on the origins of Christianity.”
It is based on the Apostles and the Apocrypha. It’s called “The Apostles and Apocrypha.” Because people know the New Testament, but nobody knows the Apocrypha. Back in the 1st century, there was no new era, only these stories exist. Some were true, some were not, and some were false.
Schrader generally makes movies that are awkward and frustrating, so only time will tell if viewers want to deal with three full seasons of him. Yet our temporary discomfort pales in comparison to the troubled relationship he and Scorsese have with Christianity, a wrestling match that has spanned nearly half a century. Nor would it be his first attempt to spice up this relationship. Apart from his primary cooperation in Taxi driver, raging bull, And the Reviving the deadThe husband released it in 1988.‘s The last experience of Christ, Which, in addition to generating controversy about the dimensions of the Bible, provides us with the delicious screenshot shown above. So this is something to enjoy before the series inevitably leaves us in need of a shower.
Read the interview at The New Yorker.
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Paul Schrader evokes divine collaboration with Martin Scorsese