Cross Stories, by Tate Taylor, what did the critics say at its premiere?

Cross Stories, by Tate Taylor, what did the critics say at its premiere?

In his first major studio production, writer / director Tate Taylor enters a minefield of sociological, historical, and artistic booby traps. The setting is Jackson, Mississippi, in the 1960s, and at that time, where racial tensions simmer between African-American maids and their white employers at the dawn of the civil rights movement, Cross Stories takes place – 76%. Through cruel words and haughty gestures, the film shows the ways in which privileged white women communicate their disdain for black help while the servants boil with the casual insults that are thrown almost daily.

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It’s been a decade since the movie starring Viola Davis, Emma Stone, and Octavia Spencer hit theaters, but its theme is as relevant now as it was then. Crossing stories – 76% is based on the novel by Kathryn Stockett that was published two years earlier, and whose rights to the film adaptation were acquired during the first quarter of 2010 by DreamWorks Pictures. Chris Columbus was quickly secured as one of the producers, and the casting began immediately. Four months later, the studio was already filming in the state in which the story takes place.

The film and novel tell the story of a young white woman and aspiring journalist named Eugenia “Skeeter” Phelan and her relationship with two black servants, Aibileen Clark and Minny Jackson, during the Civil Rights Movement in 1963 Jackson, Mississippi. In an attempt to become a journalist and writer, Skeeter decides to write a book from the maids’ point of view, exposing the racism they face while working for white families. Black domestic workers in the United States of the 1960s were called “the help”, hence the title of the author’s work and the film is The Help.

Crossing stories – 76% performed well overall. The critics had mostly positive comments and the public did the same, since they usually even have a higher rating than that given by the critics. This translated into the commercial success of the film, since it grossed US $ 169 million in the United States and US $ 46 million in the rest of the world, thus reaching a total of US $ 216 million. For a better reference, the production cost the studio approximately $ 25 million.

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The cast was also one of the keys for the film directed by Tate Taylor become a triumph. In addition to having Emma Stone in the role of Skeeter, Viola Davis in Aibileen’s and Octavia Spencer Like Minny, there are also stars like Jessica Chastain, Allison Janney and Sissy Spacek, and even fans of the video game series that recently launched The Last of Us: Part II – 100%, they will be able to recognize Ashley Johnson in one of the roles. However, the critics highlighted more the work of Viola Davis to the point of pointing out her as the person who carries the weight of the film on her shoulders with her fantastic performance.

The film met with controversy in recent years since it was precisely this actress who told Vanity Fair who regrets having worked on Histories Crossed – 76%. Davis specified that this was not due to any bad experiences on set, as instead he said that he loved working with the cast and filmmaker. Tate Taylor, but the reason for her regret has to do with the fact that she did not feel that the voices in the film, referring to those of the characters played by Spencer and her, represented what black people really feel when working for white people. ; including their family members and the harsh experiences they had.

This is what the critics said about this film that was released in 2011:

Shubhra Gupta from The Indian Express:

Yes, it has received some criticism for not being authentic enough in describing the painful disparity, but by putting rarely heard voices on screen and telling it in such a disgusting story as this, Historias Cruzadas only deserves praise.

Anna Smith de Metro.co.uk:

Cross Stories is a somewhat light-hearted take on the relationships between the black maidens and their bosses on the Mississippi of the 1960s, offering a simplified but well-intentioned tale of Kathryn Stockett’s novel for the big screen.

Candice Frederick de Reel Talk Online:

But aside from its substantial performances, the completely uninteresting script for Cross Stories rendered the entire movie dead upon arrival.

Geoffrey Macnab de Independent:

There are some great elements here … The downside is the labyrinthine narrative structure and sensitivity.

Debbie Lynn Elias from Behind The Lens:

As perfect as sipping a cold glass of sweet tea on a sweltering summer afternoon, Crusader Stories quenches your thirst for the perfect cinematic experience.

Matthew Lucas from The Dispatch:

A fun, satisfying, and often quite moving summer movie for adults.

Micheal Compton from Bowling Green Daily News:

He wants to weigh in on some serious issues and, at the same time, appeal to the masses. To its merit, Historias Cruzadas is more successful in the latter than the former, leaving a somewhat effective drama that could have been so much more.

Joseph Walsh de CineVue:

The film has its moments of sentimentality, but it also resonates with a clear sense of shock and is told in an accessible and highly enjoyable way.

Roxane Gay from New York Daily News:

At one point, Minny gets excited about fried chicken and the comfort of its preparation … She was convinced the movie was satirical.

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Cross Stories, by Tate Taylor, what did the critics say at its premiere?