The human image. Art, Identities and Symbolism – Moove Magazine

The human image.  Art, Identities and Symbolism – Moove Magazine

The exhibition The human image. Art, identities and symbolism, presented by the ‘La Caixa’ foundation in collaboration with the British Museum at Caixa Forum Madrid. As the title says, the exhibition is focused on exploring how, over the years, different civilizations have represented the human being. The sample has up to 155 diverse works, from all areas of representation such as painting, drawing, sculpture, objects, photographs, filming, video installations and numistics; and will be open to the public from April 28, 2021 to January 16, 2022.

Specifically, the public will appreciate 145 works of art and objects from the British Museum, which is joined by a selection of 7 contemporary works belonging to the collection of the ”la Caixa” Foundation, as well as a Large-format oil painting from the Prado Museum, a installation of the Museum of Contemporary Art of Barcelona (MACBA) and one interactive installation by digital artist Rafael Lozano-Hemmer, which makes it possible to strengthen the links between the public and the contents of the exhibition, provided by the artist and the Max Estrella Gallery.

The discourse of the exhibition addresses the current and juxtaposes Ancient Art jewelry with spectacular more recent works from diverse cultures. The oldest work in the exhibition is a modeled human skull from ancient Jericho (present-day the West Bank), dating from around 8,000 BC, and is considered one of the most remarkable artifacts in the British Museum’s collections. And in the case of the most contemporary work, it is the silkscreen of the famous Iranian artist Parviz Tanavoli, from 2016.

Although the works have been made in different cultures and times, they are not organized chronologically, but the criteria followed to do so respond to ideas and concepts common to all societies and peoples. Therefore, five key themes that make up the exhibition are: Ideal beauty, Portraits, The divine body, The political body and The corporal transformation.

In the first section of the tour, it is shown how artists throughout history have strived to represent the human image in the most beautiful and perfect way, represent what was the ideal of beauty. These are cultural archetypes that reflect norms and beliefs of the communities in which they have arisen.

Although a series of shared patterns between cultures could be established, each community represents the ideal of beauty in a different way. Thus, in this area they dialogue from a classical Roman sculpture corresponding to a male nude of the god Pan associated with Dionysus, from 45 to 25 BC, to a sepulchral statue of an Egyptian official who responds to the canons of beauty from the end of the 19th century. Old Kingdom of Egypt, between 2.345 and 2.181 aC

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The human image. Art, Identities and Symbolism – Moove Magazine