It was August 15, but 1939, which premiered in style at the Grauman Chinese Theater from Hollywood ‘The Wizard of Oz’, one of the most acclaimed films of all time, and which of course would mark a watershed in the modern film industry.
Adapted from the homonymous novel by L. Frank Baum By 1900, the magnificent musical pioneered several critical aspects of contemporary cinema. The most distinctive feature of the film, apart from the performance of Judy Garland as “Dorothy”; it is the use of technicolor, which was completely detached from the monochrome scenic landscape of the time.
The unforgettable performance of “Over The Rainbow” by Garland it has certainly served as a source of inspiration for various artists and creators. A kind of psychedelic muse who knocked on the doors even of Pink Floyd and his masterpiece ‘Dark Side Of The Moon’ (1973).
The cult fan theory states that if the start of ‘Dark Side of the Moon’ with the iconic lion roar of MGM at the beginning of the tape, you get a perfectly intertwined experience where the footage and music complement each other perfectly.
Unfortunately, the exact provenance of this unlikely pairing is unknown; however, it is a Charles Savage who is credited with having drawn the public’s attention to this marriage. In an opinion piece for the Fort Wayne Journal Gazette in August 1995, Savage it opened our eyes and ears to this sensory delight.
Matchmaking enjoys moments that work perfectly. The most prominent is that of the protagonist, “Dorothy”, who runs after the iconic phrase of “Time” that says: “Nobody told you where to run”.
Another memorable part of the trip occurs in “Breathe”, when the leader David Gilmour sing the chorus “home, home again”, just as the fortune teller advises “Dorothy” to return to her home in rural Kansas.
One more flash point is when “The Great Gig In The Sky” begins to play just as a tornado carries “Dorothy” away from Kansas into the magical kingdom of Oz. When you open the door to the technicolor delight of Munchkinland, the second side of the album begins with “Money”, facilitating the transition.
It is these beautiful coincidences that have brought the fans of Pink Floyd to the experience of Wizard of Oz x Pink Floyd throughout the decades. However, everyone seems to be delighted with the story except the members of the band themselves, who on some occasions have demerited the cult of ‘The Dark Side of Oz’.
In one of his kindest opinions on coupling, Alan Parsons, the album’s iconic engineer, said:
–There were simply no mechanics to do it, we had no means of playing video tapes in the room. I think VHS hadn’t come out in ’72, right?.
The Pink Floyd drummer, Nick Mason, told MTV in 1997: “It’s absolute nonsense, it has nothing to do with ‘The Wizard of Oz.’ Everything was based on the sound of music “. David Gilmour He was even more incisive than his bandmate, describing the effort as “Someone with too much time on their hands”.
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How ‘Dark Side of the Moon’ Syncs Perfectly With ‘The Wizard of Oz’