They say that rock, currently, is dead. And while that claim is quite debatable, the truth is that the guitar genre once dominated – and scandalized – the popularity charts. There were many generations that grew up to the rhythm of what was once considered transgressor, and that little by little filled the senses of the general public.
Much has happened since the golden age of ‘Revolver’ from The Beatles or the ‘Sticky Fingers‘ of the Rolling Stones. Perhaps it is true that rock no longer dominates the world rankings, but the legacy it built is imperishable, and will continue to inspire – in one way or another – younger generations.
Recently, we asked them on social media what was the absolute album to get into rock & roll. The classics occupy almost the entire list, except for three contemporary members who made the cut.
The Beatles – Abbey Road (1969)
A must not only of rock & roll, but of music in general is ‘Abbey Road’. For many it is the pinnacle of the work of the Liverpool quartet, since it perfectly synthesizes everything that the Beatles they represented musically and artistically speaking.
It was produced by George Martin for Apple Records, with Geoff Emerick as a recording engineer, Tony Banks as a tape operator and Alan Parsons as a production assistant.
Includes “Something”, “Come Together”, “Oh! Darling ”and“ Here Comes the Sun ”, some of the group’s most famous songs. This was the last album that Beatles they did together since the following, ‘Let It Be’, had been recorded previously.
Black Sabbath – Black Sabbath (1970)
Another titan of contemporary music is the self-titled debut of ‘Black Sabbath’, considered the first metal album in history. It had a budget of just £ 600 and was recorded in two days. From here, classics such as “NIB” or “The Wizard” are derived and thanks to its iconic cover -among other things-, it won the reputation of satanists for life. Ozzy and company.
Led Zeppelin – IV (1971)
The record with which Led Zeppelin made a pact with the devil, according to urban legend. It was produced by Jimmy Page and was recorded between November 1970 and January 1971 in various locations, most notably in the 18th century house Headley Grange.
Page decided that it would not have an official title, so it is known as ‘Led Zepellin IV’. This, together with the symbols inside the booklet -which represented the four members of the band- endowed him with an enormous syncretism, and he also came to be named as ‘The Runes’, ‘Four symbols’ O ‘ZoSo’.
Pink Floyd – Dark Side of the Moon (1973)
‘The Dark Side of the Moon’ It is one of the most critically acclaimed works, and is often on the charts of the best albums of all time.
It is a conceptual endeavor, exploring themes such as conflict, greed, time, death, and mental illness. Excerpts from interviews with the band’s crew are included along with philosophical quotes. The inlay, representing a prismatic spectrum, was designed by Storm Thorgerson in response to the request of Richard Wright of a “simple and bold” design, which represented the lighting of the band and the themes of the album. It was promoted with two singles: “Money” and “Us and Them.”
Metallica – Master of Puppets (1986)
‘Master of Puppets’ It is now considered a thrash metal classic by fans, critics, and the band’s own members; and one of the best heavy metal albums of all time. It was also the last album he played on Cliff Burton, who died during a road accident while promoting the effort.
It has sold 6 million copies and was certified 6 times platinum by the RIAA. In 2015, ‘Master of Puppets’ it became the first metal album in history to be selected by the Library of Congress for preservation in the National Register of Recordings.
Guns N’ Roses – Appetite for Destruction (1987)
The debut album of Guns N’ Roses something went unnoticed at the time of its release, in 1987. It would not be until the following year when it became a massive commercial success, after the band toured and was broadcast with the tracks “Welcome to the Jungle,” ” Paradise City ”and“ Sweet Child o ‘Mine ”.
It topped the Billboard 200 chart and became the best-selling debut of all time, as well as the 11th best-selling album of all time in the United States. With more than 30 million copies displaced worldwide, it is also one of the most marketed records of all time.
Nirvana – Nevermind (1991)
The icons of a whole generation, Nirvana, they delivered the absolute album to understand the grunge movement of the nineties: ‘Nevermind’. It was produced by Butch Vig and mixed by Andy Wallace, who created the distorted guitars, reverberating bass, and cathartic voice of Kurt. In doing so, they set the standard for all rock music of the 1990s.
Kurt Cobain He later expressed dissatisfaction with the album’s “witty” and “radio-friendly” production; but he also admitted in the biography of Nirvana of 1993 of Michael Azerrad, Come As You Are: The Story of Nirvana, what to listen to ‘Nevermind’ sometimes it moved him to tears.
Pearl Jam – Ten (1991)
‘Ten’ is the debut of Pearl Jam, released on August 27, 1991 via Epic Records. Dealing with violent, aggressive, romantic depressive and socially critical topics; ‘Ten’ tackles songs about what average society lived through on a daily basis, being widely known for his guitar jams and the powerful voice of Eddie. The name of the disc is a tribute to the number on the basketball player’s jersey Mookie Blaylock.
The success of ‘Ten’ It was not immediate, but led to a wave of popularity that would reach its peak in 1992, leading to Pearl Jam to numerous live shows, festivals, clubs and television.
Radiohead – OK Computer (1997)
Radiohead recorded ‘OK Computer’ in 1996 and early 1997, mainly in the historic mansion St Catherine’s Court. Its abstract lyrics, that densely layered sound and its eclectic influences would lay the foundations for the later work of Radiohead, much more experimental (‘Kid A’).
The album describes a world fraught with unbridled consumerism, social alienation, emotional isolation, and political unrest. In this sense, it is said that ‘OK Computer’ has a clairvoyant vision of the mood of 21st century life. The band used unconventional production techniques, such as natural reverb by recording on a ladder and the absence of audio separation; to achieve its mission. The strings were recorded in the studios Abbey Road from London and Ed O’Brien ensures that 80% of the album was made live.
The Strokes – Is This It (2001)
For its debut, The Strokes He strove to capture a simple sound, which was not significantly improved in the studio. Starting from their 2001 EP ‘The Modern Age’, the band members shaped the compositions largely through live takes during the recording sessions; while Julian Casablancas He continued to explore youthful motifs in his lyrics.
The album’s release is considered a watershed moment in the reinvention of post-millennial guitar music. It has been featured on various publications’ Best Albums of the 2000s and All Time charts. From there three singles come off: “Hard to Explain” (backed by “New York City Cops”), “Last Nite” and “Someday.”
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