The choppy chords of “Rastaman Live Up!”, a posthumous song by Bob Marley that sounds through the speakers of the Antel Arena, they are silenced at the end of the second chorus and the lights go out for a few seconds. Immediately, you hear the applause and the shout of the public that sold out more than 3000 tickets to see the return of Ciro and the Persians a Montevideo.
It’s Saturday night, and shortly after 9:20 p.m. – after a series of Marley classics and a set of Diego Maturro to feed the previous— Ciro Martinez, the former leader of Lice, comes out on stage with his five bandmates. After a few drums and a guitar riff that could have been part of the album Tattoo You (1981), one of the Stones classics, the singer throws himself on his harmonica, the one that shoots pogos in a matter of seconds.
However, the image provided by the separation every two seats, the various colored masks and the seated audience differs considerably from what is usually seen in each show of Ciro and the Persians in Montevideo. The singer himself will say it a while later: “It’s something else, isn’t it? One feels much more observed. Imagine that we start to play and there are 8,000, 10,000 or 70,000 madmen jumping like crazy. with singing a little, but now they are all very attentive “.
But, as seen in other shows of the Antel Arena, there is no protocol that changes the experience of enjoying live music too much. It is true that the jump was missing – although the public’s restrained desire exploded at the end, just in the last seconds of “Astros” -, but the energy was reflected in the constant chorus of the public – “Despite the chinstraps, they are beautiful those songs, “said Martínez before getting an ovation— and with his arms raised that moved to the rhythm of classics like” Tan solo “or” Farolito. “
And, in addition to the music, the energy of the public was in charge of Ciro, who at this point is an expert in managing shows. He moves around each end of the stage to raise the energy of the entire Antel Arena, puts on his most exaggerated face when he really commits to the lyrics, dances to the rhythm of the guitar riffs, throws some “Vamo ‘arriba, bo” and he even laughs with the audience at his robot footsteps.
The first part, based on a few hits that the singer built together with Los Piojos and later with Ciro and Los Persas – “From afar”, “Red Baron”, “Todo pasa”, “Pistolas”, “Juira!” and the great “Before and After” – left the audience in an almost euphoric state. But, as if it were a way to keep energies under control and respect strict health protocols, the group left the stage for a few minutes.
The wait was accompanied by a video that reviewed all the group’s activity during 2020. What began with a massive show in Mendoza, ended with Martínez singing “Just“a cappella in the middle of the Luna Park field, with its shadow as the only company. It was one of the most memorable images of the streaming shows that defined the worst stage of the pandemic. Then, the presentation of Wars (A trip back in time), the album of acoustic versions that they released at the end of last year.
With the singer dressed in a suit and top hat with watches, they began that symbolic journey through time with a sweet and relaxed acoustic version of “Farolito”. Later, the musician got on a bicycle and, while touring the stage, he sang interesting re-readings of “So solo”, “Roulette” and “I found you”. It was the most exciting segment of the night, and at the end, Ciro announced that Wars (A trip back in time) It will be part of a trilogy; they are already recording the third volume with the Mendoza Philharmonic Orchestra.
After a chacarera played by the guitarist Juan Manuel Gigena Ábalos – grandson of one of the famous Ábalos Brothers – based on loops, the group took up the rocker format from the start with “Animal City”. Then it was the turn of one of his most energetic classics: “Como Alí”. It was another of the high points of the night.
The final segment featured a good version of “They kill me, lemon!” (Los Redondos), a fusion between “Genius” and “El mendigo del Dock Sur” (by Moris, which rang from Ciro’s cell phone) and even a vote on Instagram to choose the penultimate song of the night.
“Thank you Uruguay for receiving us like this. We hope to return soon,” Martínez said after receiving an ovation on the end of “Fantasmas”, the theme chosen by the attendees. For more than two hours, the group reviewed a few classics of the Argentine rock songbook and showed that their relationship with the Uruguayan public grows with each of their visits.
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Chronicle: Ciro and Los Persas offered a show full of successes and reversals at the Antel Arena – Tvshow – 09/12/2021